From the start, there is such a creepy and unnatural chill in the relationship between the featured lovers that I could not care about them or their situation. I actually suspected the twisted nature of the ties between them and some other characters halfway through the film, but was not bored after that. There is that much going on, what with the plot twists and trying to understand the meanings (or not) of all the really odd happenings in the film --like a letter falling off of a sign or the crude sherrif taking an unbeliabely long wiz'. Plus, my suspicions weren't confirmed and fully explained until the very end.

I did care about the fate of a frozen-in-time, caste iron building and also, oddly enough, about the man in charge of its demolition. A good man gone bad or a bad man with heartfelt remorse? Or both?? The feelings of this conflicted character are played out in the best five minutes of the film; the bar scene, and is one of the examples of why Bill Pullman is among the very best actors working today. There is a more recent film, The Guilty, in which he again manages to bring out the heart and complexities of a seemingly unsympathetic character. But in that film he was the star, rather than having just a handful of scenes to create that feat, as in Liebestraum.