Paradise Road | | Cast : | Glenn Close, Frances McDormand | | Director : | Bruce Beresford | | Studio : | Twentieth Century Fox | | Format : | Color, Closed-captioned, Widescreen, Dolby | | Released Date : | April 11, 1997 | | DVD Released Date : | December 17, 2002 | | Language : | French (Dubbed), English (Subtitled), English (Dubbed), Spanish (Subtitled), English (Original Language), French (Original Language) | | Audience Rating : | R (Restricted) | | | BUY THIS DVD FROM AMAZON |
Customer Reviews
| Rating |  | | Date | January 08, 2005 | | Summary | The Hell Road... Why did Japnese spare them !?! | Content
 | Poor white women tortured by evil Japanese. I will start to cry already. Now answer me ,you neo-colonist folk, what were these women doing in that part of Asia in a first place ? They were on touristic trip ? NO , they ruled enslaved nations of Asia together with their husbnds and lovers. Because of that the only character I felt sorry (beside Japanese) is a Chinese girl burnt alive by prison guards.
P.S. Japanese soldiers would never allow their flag to be dishonered even if they have been defeated ! |
| Rating | | | Date | December 29, 2004 | | Summary | The power of music | Content
| Brutal wartime conditions, a true story of inhumanity to women and how they[at least the few who survived] triumphed by the inspiring artistry of music.
If you doubt the truth of the horrible conditions to which allied civilian were exposed in the Pacific in the war, read Nigel Dawson's "Prisoners of the Japanese". The military camp commander and his subordinates are about as evil as one can imagine; it remains a mystery that much of Japanese society has yet to come to terms with these horrors. |
| Rating | | | Date | November 21, 2004 | | Summary | A woman's vocal orchestra in a Japanese internment camp | Content
| Right before the fall of Singapore in February 1942 a group of women, predominantly English but also including Dutch, Australian, and other Western nationalities, were evacuated on ship to Australia. However, when the ship is sunk they are captured by the Japanese and put in an internment camp. Over the rest of the war they suffer the attendant horrors of being the prisoners of the Japanese and they rise above their condition by creating a vocal orchestra, a chorus that performs hummed renditions of the works of Mozart, Dvorak, and Ravel.
There are certainly some memorable and harrowing moments in "Paradise Road" reflecting the brutality of life in a Japanese internment camp. Such horrors are supposed to stand in contrast to the beautiful music these women created in their prison camp by putting together a vocal orchestra. However, at the end of this 1999 film from director Bruce Beresford we learn that the vocal orchestra only performed for a couple of years before half its members had died, and we simply do not get the sense that things were that bad in this film, even though intellectually we know this must have been the case. As is pointed out, the Japanese do not like Europeans, prisoners, or women, and of course with these women we have all three. In contrast, one of the women refuses to hate her captors, explaining: "I just can't bring myself to hate people. The worse they behave, the sorrier I feel for them."
I suppose it is politically incorrect today to show the brutality the Japanese displayed in dealing with prisoners. The concept of surrender was an anathema to the Japanese and soldiers who surrendered rather than die in battle or kill themselves were seen as being without honor. With Holocaust stories there is a distinction to be made between the Nazis and the Germans, but the culture and political history of the Japanese do not allow for such a distinction. In the film the brutality is reduced to a couple of key figures, Sergeant Tomiashi (Clyde Kusatsu), called "The Snake" by the women, and Captain Tanaka (Stan Egi), who are portrayed as being basically sadistic, although "The Snake" becomes a symbol of the possibility of redemption in the film. Sab Shimono is Colonel Hirota, the camp commander, but he has little to say until the end of the film and simply symbolizes the power that must be obeyed. The focal character on the Japanese side becomes his interpreter (David Chung), who reminds me of the herald in Euripides' "Trojan Women": the man who must announce policies of which he does not approve.
It is important that the vocal orchestra be seen as an attempt to create grace and beauty in the depth of Hell, and not simply as a response to the long years of mind numbing prison labor. But I think that the extent to which that key connection is recognized in this film is up to the willingness of the audience to couch it that way. I also find myself wishing that there was more of the vocal orchestra performing (the music is performed using the original scores, which survived the war), and must admit I was survived there was not at least one montage contrasting the gloriously beautiful music with the indignities of life in that camp.
The one area where there is no room for complaint is in the stellar ensemble cast of actresses, most of whom appear for most of the film without makeup (in the everyday sense of the word). Glenn Close bring a strong sense of resolve and reserve to the role of the orchestra's conductor, Adrienne Pargiter, aided by Pauline Collins as Margaret Drummond, a missionary who is able to recreate the necessary sheet music from memory. Even without the makeup many of the faces are recognizable: Cate Blanchett plays Susan Macarthy, a nurse, Julianna Margulies is the American Topsy Merritt, who is tempted by the relative life of luxury offered to women who agree to be prostitutes for the Japanese, Jennifer Ehle is Rosemary Leighton-Jones, longing for her husband, Elizabeth Spriggs is Mrs. Roberts, who cares more about her status and dog than her daughters or anyone else, Wendy Hughes is the stoic Mrs. Dickson, Johanna ter Steege is Sister Wilhelminia, who wanted to be an engineer and not a nun, and Frances McDormand is Dr. Verstak, a German Jew who escaped the Nazis only to become the guest of their Eastern allies.
In the end "Paradise Road" is not as memorable as I might have hoped, but it is certainly worth watching and should not be dismissed as simply being a counterpart of sorts to the "Playing for Time," about the orchestra comprised of Jewish women at Auschwitz. Even if it is inadequate to the task of creating truly transcendent moments, we certainly can understand and appreciate that once upon a time, in the real world, a group of real women actually achieved such moments. |
| Rating | | | Date | July 15, 2004 | | Summary | AMAZING | Content
| This movie was awesome!!! At first I was reluctant to watch it but my girlfriend forced me to. If it wasn't for her I never would have seen it. |
| Rating | | | Date | July 14, 2004 | | Summary | Scenes Missing | Content
| I just watched Paradise Road on DVD and was very disappointed. I didn't see scenes I remember in the VHS version. I like the movie very much, but would not have purchased a version that was shortened. There are two scenes I remember from renting the movie previously. Those being where Jennifer Ehle meets her husband while he is attempting to escape the men's camp, and also the scene where Miss Drummond is buried and Glenn Close's character begins to hum and tap the Bolero piece the orchestra did. I have no idea why Fox would delete those scenes. The cover of the DVD indicates the movie is 132 minutes long, however my counter stopped at 110 or so. So please be forwarned, if you purchase the DVD you will not get the whole movie. Other than that, I would say the movie is worth having in a home collection. |
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